Matjash draws inspiration from music, myth and history. Symbol and character are real, living elements in his works, which often examine strong, central themes. He demonstrates a thematic concern with affinities and connections of idea, image and movement. This intellectual aspect to Matjash's work, which could be called "neo-Baroque," has lent to many of his dances a theatrical, almost operatic, flavour. However, affect is central to Matjash's choreography: the exploration of theme in his dance is passionate and humane, never clinical. His work is sensual, displaying a languid, graceful splendour and genuine depth of feeling.

The tension of classicism and modernity figures prominently in Matjash's choreography, which marries the elevation of ballet with the groundedness of modern dance. Consequently, his style is neoclassical with a distinctive and unique vocabulary. Nuanced port de bras, articulate work for the lower body, and a contemporary, rolling movement in the hip creates a dynamic juxtaposition: his work is characteristically both expansive and earthly. His floorwork is intricate and surprising. Interested in the architecture and interconnectedness of partnering, his duets are sophisticated and articulate. Dancers recognize his ability to give direction and guide the creation of movement, working with their particular strengths.

Indeed, Matjash is remarkable for his versatility and the persuasiveness with which he incorporates the rigour and discipline of ballet with diverse contemporary elements. Matjash has never been beholden to the strictures of his classical background, and he is intrigued by the possibilities and dynamics of movement. His art is in constant evolution, always open to new ideas and new forms.

Back to page 1