July 4 - 15 2018 (exact dates TBA) - WOUNDS TO THE FACE - Randolph College for the Performing Arts
Directing Howard Barker's poetic exploration of beauty and identity. At times tragic, funny or cruel, the play takes place over a series of vignettes performed by a cast of fifteen actors. Performances are part of Toronto's Fringe Festival. Design collaborators: Claire Hill and André du Toit.
Annex Theatre, Toronto
February 7 - 17, 2018 - CANDIDE - GEORGE BROWN THEATRE
Directed Mark Ravenhill's "monstrous farce", which brings Candide into the 21st century. Candide was ommissioned and presented by the Royal Shakespeare Company and first performed in the Swan Theatre, Stratford-upon-Avon, on 29th August 2013.
Young Centre for the Performing Arts - Toronto, ON
November 17, 2017 - TROILUS AND CRESSIDA - SECRET SHAKESPEARE
At 10am on performance day, the cast and team assembled to put 8 hours of rehearsal to very good use, staging a 75-minute edit I made of Troilus and Cressida. The cast was emailed their lines a month ahead of time. The audience didn't know what play they were about to see. Add water and stir time! Proceeds benefit the Leap Manifesto
Berkeley Street Theatre (upstairs at Canadian Stage) - Toronto, ON
November 14 - 18, 2017 - THE NIGHT DANCE - RYERSON DANCES
A new work for twenty Ryerson University dance students. A surprise-filled, mischievous and beautiful extravaganza.
Ryerson Theatre - Toronto, ON
November 10 -11, 2017 - ABIDING - OLDER & RECKLESS
A new solo for ballet legend Evelyn Hart, special guest in O&R's 40th instalment. Music by G.F. Handel.
Harbourfront Centre Theatre - Toronto, ON
November 4 - 7, 2017 - FUTURE PERFECT CONTINUOUS - PROARTEDANZA
Collaborating with playwright and librettist Anna Chatterton on a new dance work which fuses movement and text. Costumes by Krista Dowson, lighting by Arun Srinivasan and sound design by Lyon Smith.
Fleck Theatre - Toronto, ON
Choreographer and Movement Director working with director Joel Ivany (Against the Grain Theatre) on staging Claude Vivier's opera Kopernikus, and also responsible for integrating dance performance into chamber music concerts. Open Space is a collaborative training experience for emerging opera professionals.
May 1st-6th 2017 - I WONDER - CANADA’S NATIONAL BALLET SCHOOL
One of the Canadian choreographers invited to create a new work for a group of international dance students gathering for Assemblée Internationale ‘17
October/November 2016 - GEFÄHRLICHE LIEBSCHAFTEN - KONZERT UND THEATER ST. GALLEN
Conceived and choreographed a 70-minute theatrical dance adaptation of de Laclos' novel. Commissioned score by Owen Belton, and design by Dieter Eisenmann and Benedikt Zehm. The performance took place in the Lokremise, an old locomotive repair depot, with the audience surrounding the action on all four sides of the performance space.
St. Gallen, Switzerland